| WFR NON-FICTION |
| WFR NON-FICTION |
Aqueduct, 1973
by Larry Racioppo
I hope I break even, I could use the money.
—overheard at Aqueduct
In 1973 I went to Aqueduct racetrack with my father and my Uncle Nick. They had the day off and I had a new telephoto lens I wanted to try out. I wasn’t doing much of anything back then besides occasionally driving a yellow taxi and photographing a bit. I wandered around the track, taking pictures without asking anyone for permission.
The people at Aqueduct were overwhelmingly white, working class men. A few chatted with people nearby, but most of them stood or squatted alone. They often carried an oversized copy of The Daily Telegraph and an Aqueduct program of the day’s races. Before betting, handicappers would try to combine past performances vs. current track conditions, competitors and odds. I photographed them as they struggled to compare the large pages of their newspapers with their programs. It did not look like they were having fun.
The best photo I made that day has my father smiling happily as my uncle points to a winner on his program.
Much to their surprise, I concocted a system at Aqueduct. By betting on the favorite to place (finish third), and a long shot to win, I won $200. However, my system did not stand the test of time. My father and I returned to Aqueduct a few days later. I lost half my winnings, and have never gone back.
Larry Racioppo was born and raised in South Brooklyn. From 1989 until 2011, Larry was the official photographer for the New York City Department of Housing Preservation and Development (HPD). After receiving a 1997 Guggenheim Fellowship in Photography, Racioppo took a leave from HPD to work on a series of personal photographic projects, including Forgotten Gateway: The Abandoned Buildings of Ellis Island, exhibited at the National Building Museum in Washington, DC. His most recent books are CONEY ISLAND BABY (South Brooklyn Boy Publishing, 2021), B-BALL NYC (South Brooklyn Boy Publishing, 2019) and Brooklyn Before: Photographs, 1971–1983 (Cornell University Press, 2018).